Volume 75, Number 1, Fall 2021:View More Content
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Prolegomenon: Anger, Aesthetics, and Affective Witness in Contemporary Feminist Cinema
By Kathleen McHugh (pp.10-22)
Anger that is feminist, race based, and intersectional fueled by the Women’s March(es) of January 2017 and after, the global #MeToo and Black Lives Matter (BLM) movements.
“Netflix and Heal”: The Shifting Meanings of Binge-Watching during the COVID-19 Crisis
By Tanya Horeck (pp.35-40)
During worldwide lockdowns for COVID-19 in 2020–21, media stories on the potentially lethal dangers of binge-watching were replaced by news of its restorative powers.

From Binge-Watching to Binge-Scrolling: TikTok and the Rhythms of #LockdownLife
By Tina Kendall (pp.41-46)
In a time when the health and safety of global populations depends on a shared willingness to #StayTheFuckHome, practices of binge-watching have taken on a series of strange new resonances.
The Black Film Ambassador: The Ecstatic World of Albert Johnson
By Josslyn Luckett (pp.62-69)
In 1958, when Ernest Callenbach was seeking “co-conspirators” to create a “serious American film magazine,” Pauline Kael directed him to Albert Johnson. Together, the two of them and Colin Young, then a UCLA professor, dreamed up and brought into being the journal before you now.

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